![]() Of course, I'm jealous, as I've been angling to earn a living or obtain PhD funding from this idea - which I ascertained to be substantially original - since the dawn of the 21st century, yet others with non-zero budgets are surely better suited to doing stuff with swish electronic gubbins rather than adopting post-electronic contortions? It seems unnecessary. Coming to terms with poverty guides all post-electronic music initiative, so it seems gratuitous when a post-electronic aesthetic is adopted by a well-off 'entrepreneur' (urgh), a funded PhD'er', or basically anybody with employment. Conveniently, physical objects that can mechanically simulate synthesiser processes are not expensive - they're freely discoverable in urban/suburban environments. ![]() ![]() Readers of this blog (if any) will be familiar with its theme of sound-making on a zero budget. ![]()
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